Zirkus ON 25/26
CELLULA takes place in a mobile theatre made of wood and fabrics, which integrates the surroundings as a stage and enables people to experience a familiar place in a new way. The unique theatre allows audience members to become part of the performance as it opens out into the vastness.
Naked Fools explores how nudity, humor, and the clown nose can disrupt patriarchal structures and transform vulnerability into resistance. This solo performance combines queer-feminist clowning with body politics and invites the audience into a space of radical visibility and transformation.
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Can you remember a moment when your heart was as soft as floating feathers? Breathe in, breathe out. Get ready for The Trace of the Snail. A mix of hand balancing, juggling, acrobatics, and spoken word.
Zirkus ON 24/25
IceDanceTheater- Fusion
Hybrid (working titel)
In an autobiographical solo, the artist tells on plastic, as an alternative to ice, of physical challenges, intermediate worlds and the "dream of flying".
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La Tanik
Lasterhaft
A large chariot on short routes, on the one hand following a centuries-old tradition, on the other a contemporary reference to travelling circus life. Lasterhaft is a one-woman travelling stage that writes its own history.
Hanschitz & Beierer
still.dependent
Three performers embark on a detailed investigation into human-object relationship, freeing the Cyr Wheel from its artistic limitation as a solo instrument.
Zirkus ON 23/24
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DELUSIONAL I killed a man is a performance about transsexuality. A journey about overcoming your own past. A show about transition and rebirth. On stage is the dancer and circus performer Diana Salles, whose creation tells the story of Judith, a trans woman who, in a delusion, kills her male version in order to be free.
We know the process of decision-making: the inner dialogues, the fear of taking the leap, the courage to face nothing, the pleasure in uncertainty, the rediscovery, the new joy of life.
Five circus artists and a musician show us moments of NORA - the woman we could all be. A dialogue between effort, tension and emotional states.
drift is a contemporary circus project by the Less Kuerdas collective. It explores what collectivity means on and off stage. It is the connection between four women, four aerial ropes, the stage and the audience. Drift plays with alternative audience perspectives and questions the responsibility people bear both during a performance and within a collective.
Zirkus ON 22/23
2 performers - 4 bodies. Kaleiding is a medidative spectacle between hypnotizing shapes and new perspectives onto contemporary partner acrobatics.
In OMÂ is an auto-fictiona circus solo by the juggler and performer Roxana Küwen Arsalan. It is a both abstract and personal piece about the randonmness of our origins.
Can you remember a moment when your heart was as soft as floating feathers? Breathe in, breathe out. Get ready for The Trace of the Snail. A mix of hand balancing, juggling, acrobatics, and spoken word.
Zirkus ON 21/22
I Was Told. is a one-hour circus piece consisting of ring juggling and spoken word or slam poetry.
The starting point for René was a certain movement - with the question: How far can we take this?
In Runners, circus performers and jugglers Jonas Schiffauer and Alex Allison, together with the musician Moises Más Garcia, deal with the real and perceived speed of our time.
ZirKus ON 20/21
The work 'Absurd Hero' is based on exploring the connection between a body and a large heavy running ball. The artist constantly gets into hopeless situations on the verge of physical and emotional endurance.
The decision for something is always also a decision against something. The path one chooses in the end leaves an everlasting and indelible mark on all of us.
'Lost Instars' by the company 'The Optimists' is a piece that moves between contemporary circus, object theater and music performance. Two juggling and sound explorers embark on a journey of space horror.
Zirkus ON 19/20
In Brace for Impact, Knot on Hands explore what it means to be together on a path they don't yet know where it will lead them.
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In Responsive Round, the performer moves in an intimate circle with bamboo sticks balanced and falling. However, who catches the sticks remains an open question.
In Not my cup of tea, Rita addresses inner conflicts and dialogues. It appears like a tragic comedy-poetic, sometimes absurd and full of shameless humor.